I won’t see the film but I’m interested in the debate over its depiction of torture. In the New York Review of Books, Steve Coll writes:
Official torture is not an anathema in much of the United States; it is a credible policy choice. In public opinion polling, a bare majority of Americans opposes torturing prisoners in the struggle against terrorism, but public support for torture has risen significantly during the last several years, a change that the Stanford University intelligence scholar Amy Zegart has attributed in part to the influence of “spy-themed entertainment.”
Even if torture worked, it could never be justified because it is immoral. Yet state-sanctioned, formally organized forms of torture recur even in developed democracies because some public leaders have been willing to attach their prestige to an argument that in circumstances of national emergency, torture may be necessary because it will extract timely intelligence relevant to public safety when more humane methods of interrogation will not.
There is no empirical evidence to support this argument. Among other things, no responsible social scientist would condone peer-reviewed experiments to compare torture’s results to those from less coercive questioning. Defenders of torture in the United States therefore argue by issuing a flawed syllogism: the CIA tortured al-Qaeda suspects; those suspects provided information that helped to protect the public; therefore, torture was justified and even essential.
Andrew Sullivan is relentless in exploring the film’s perspective on torture. Here’s what he says about the filmmakers’ choice not to depict the debate over the morality and efficacy of torture, even within the Bush administration, and between the CIA and FBI:
One has to wonder whether any morally serious director would have chosen a morally-neutral approach to torture if she were portraying torture practiced by, say, the Iranian terror state, or by Nazis or Communists? The techniques are exactly the same. Is not taking a stand as you present such evil itself an endorsement? My sense is that Bigelow and Boal talked to some of those war criminals who did the torture and since torturers have to find some way to justify their acts, and because they are modern Americans fighting terror, the director simply did not have the courage to confront them with the fact that they belong in jail and hell for what they did.
From Jane Mayer:
I had trouble enjoying the movie. I’ve interviewed Khaled El-Masri, the German citizen whose suit the E.C.H.R. adjudicated. He turned out to be a case of mistaken identity, an innocent car salesman whom the C.I.A. kidnapped and held in a black-site prison for four months, and who was “severely beaten, sodomized, shackled, and hooded.” What Masri lived through was so harrowing that, when I had a cup of coffee with him, a few years ago, he couldn’t describe it to me without crying. Maybe I care too much about all of this to enjoy it with popcorn. But maybe the creators of “Zero Dark Thirty” should care a little bit more.