Authenticity and post-modern Christianity–but don’t expect me to get tattoos

Last week, I posted a link to an article that quoted Bishop Greg Rickel of the Episcopal Diocese of Olympia, in which he likened the church in the twenty-first century to a base camp–not an end point on a journey, but a staging area. It’s an image I like because it captures what I’ve been encountering in Madison. People come to church for all sorts of reasons; we may see them for only a single service, perhaps a year or two if we’re lucky, then they are off on the next stage of their journey. Often their temporary stay is dictated by other realities–school or job change–but often it is because of life changes. And the latter is particularly new. Wade Clark Roof and other sociologists of religion saw such trends in American religion in the 90s–people participating in organized religion for a few years and then withdrawing.

Rickel has a great deal to say in another interview about what it’s like to be bishop in post-Christian America (i.e., the Pacific Northwest) after serving parishes in the South and Southwest. He also has interesting things to say about the importance of authenticity, good holy discourse and conversation, and good music. The interview is here.

Among the things he has to say about young adults:

I sense the younger generations looking for a fun place, yes, energy, good conversation, deep reflection about serious issues, but also a place where diversity of thought is honored and where they learn the life skills to keep that greater conversation going in their lives. In the midst of all of that they know the power of mystery, and don’t necessarily want a place of answers, but more a place of reflection, meditation, silence. True engagement, instead of the veneer of much of our religion, would be the more subtle but short way of saying it.

Bishop Rickel blogs here.

If authenticity is what matters, check out this profile of Nadia Bolz-Weber.

Bolz-Weber said her church is “anti-excellence and pro-participation.”

They sing the hymns a cappella rather than rely on a choir, organist or band. They divvy up the readings. They create their own artwork.

“We don’t do anything really well,” she said, “but we do it together.”

Bolz-Weber blogs here.

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